Hardtool Vision

HTV / AUDIO

MASTERING FOR SCHRANZ & HARD TECHNO

Mixing and mastering for schranz, hard techno and industrial techno. Built for distorted kicks, dense low-end and real club translation.

SEND YOUR TRACK ↓Priority turnaround available on request.
MASTERINGMIX + MASTEREP / LABEL

WHAT WE DO

THE RIGHT LEVEL OF INTERVENTION.

01

MASTERING

For finished stereo mixes. We focus on tonal balance, low-end, transients, stereo control and competitive loudness without flattening the identity of the track.

02

MIXING + MASTERING

For tracks that need deeper intervention before the master. We address balance, kick/bass interaction, dynamics, distortion, depth and separation.

03

EP / LABEL MASTERING

For EPs, VAs and recurring label work. Level, tone and translation are matched across the project while keeping every track distinct.

THE REAL TEST

MADE TO SURVIVE THE SYSTEM.

A track can sound huge in the studio and lose its body, attack or control the moment it sits between two finished masters in a set. That is where small mix problems become brutally obvious.

LOW-ENDTRANSIENTSDISTORTIONTRANSLATION
VNGNC001

VENGEANCE / PUNISHER

Three released HTV records. Premaster and final master run in sync. Level Match is on by default so louder does not automatically mean better.

VIEW RELEASE ↗
00:0000:20

WHY HTV

BUILT INSIDE THE LABEL.

Hardtool Vision works with this music every week: releasing it, selecting it, playing it and preparing it for distribution. The reference point is current schranz, hard techno and industrial techno, not generic electronic mastering.

WHAT YOU GET

CLEAR SCOPE. NO GUESSWORK.

We assess the track before booking. If a mix problem limits the result, we tell you before mastering instead of hiding it under processing.

SEND FOR ASSESSMENT ↓
01

PRE-MASTER CHECK

We listen to the supplied version before the slot. If kick/bass, clipping, dynamics or another mix decision will cap the result, we flag it first.

02

RIGHT SERVICE

If mastering is enough, we say so. If the track needs mix work, we explain why before anything starts.

03

ONE FOCUSED REVISION

One focused revision within the agreed mastering direction is included. New mix versions or a changed brief are treated as new scope.

04

RELEASE-READY FILES

Final lossless WAV masters are delivered for the agreed use. The delivery window is confirmed before booking.

PROCESS

LISTEN FIRST. QUOTE SECOND.

01SEND YOUR TRACK

Send a private link and tell us briefly where the project is going.

02WE LISTEN

We review the material and decide whether mastering is enough or deeper mix work makes more sense.

03CONFIRM SCOPE

You get the recommendation, scope, delivery window and quote. Once confirmed, we reserve the slot.

04MASTER + DELIVER

We work the project and deliver the final files plus the agreed revision, release-ready.

FAQ

BEFORE YOU SEND.

What should I send for mastering?

Ideally, send a stereo premaster without an unnecessary limiter on the main, plus a reference and a short note about the goal. If your mixbus processing is part of the sound, keep it on.

Can you work with heavily distorted material?

Yes. Distortion is often part of the design in this music. The question is whether it creates character or unnecessarily destroys translation, transients and low-end control.

Do you offer fast turnaround?

Priority turnaround may be available depending on the project and schedule. Put the deadline directly in the enquiry.

Does paid mastering affect A&R decisions?

No. Audio services and A&R decisions are completely separate. A paid service has no influence on signing or release decisions.

ENQUIRY

SEND YOUR TRACK.

Send a private link. We listen first and tell you what the track actually needs.